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Jan Lundgren Diskografi

  (Som huvudman) 

Utdrag ur "liner note"

 

2007

"Mare Nostrum"
Paolo Fresu / Richard Galliano / Jan Lundgren
Paolo Fresu, trumpet, fluegelhorn / Richard Galliano, accordion,
bandoneon + accordina / Jan Lundgren, piano
ACT Music
Recorded January 7-11, 2007 at Artesuono Recording Studios,
Cavalicco (Udine), Italy

 marenostrum.jpg
     

The combination of big names, assembled at random, rarely produces the expected artistic result, but is as a rule portrayed by marketing wizards as “exciting”, “unique” or even “pioneering” – ultimately producing only short-lived success.

However, there still is room for miracles, as is shown by this collaboration of the three most melodically inclined musicians of today´s European jazz scene. Can we consider it a coincidence, that Paolo Fresu from Sardinia, Richard Galliano, raised in the southern France but of Italian offspring and Jan Lundgren of Swedish origin found each other? Certainly not, and in spite of the unusual and quite daring line-up, the threesome has grown and developed organically…..
It appears to have been a true temptation for these continental music masters, to enter such a daring collaboration, and form this unusual trio…..

Fresu, Galliano and Lundgren move within a great variety of modes of expression. Considering the fact, that the future of jazz can only be kept alive by opening it towards other musical cultures, the trio acts accordingly and presents a surprising amount of themes of very varied origins…..

Swedish pianist Jan Lundgren has so far been able to establish himself firmly in the same league as his excellent and innovative Scandinavian forerunners, pianists like Jan Johansson and as of late, Bobo Stenson. His articulation is strong and clear, his phrasing impeccable and his timing and touch is of highest calibre. His fluid executions are exciting yet relaxed, leaving much room for contrasting improvisations, keeping the listeners attention but at the same time letting him breathe freely. No reaching for cheap effects, no straining after dexterity, much rather insisting on depth and meaning – in short, Jan Lundgren is a master of his instrument.


(René Hess)